The plastic in folk art and contemporary modern art in Guatemala

Authors

  • Carlos René García Escobar Universidad San Carlos de Guatemala

DOI:

https://doi.org/10.5377/koot.v0i4.2251

Keywords:

El plástico, Arte popular, Arte moderno

Abstract

Since the last century, particularly after the Second World War, Central America, as many national territories called III World or as part of the so-called underdeveloped countries, has suffered more acutely than ever the excessive and abusive penetration interests economic and political powers of the self-styled "overdeveloped" in terms of penetration of their markets for industrial products, in the context of the modern technologies auxiliándose usufruct tariff export / import favorable mono- and polipólicas mega-industries at the expense of the poor and weak economies of the Third World peoples.

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Author Biography

Carlos René García Escobar, Universidad San Carlos de Guatemala

Antropólogo y docente, Catedrático emérito por la Universidad San Carlos de Guatemala

Contacto: Escuela de Historia, USAC.

Published

2016-02-08

How to Cite

García Escobar, C. R. (2016). The plastic in folk art and contemporary modern art in Guatemala. Revista De Museología "Kóot&Quot;, (4), 93–102. https://doi.org/10.5377/koot.v0i4.2251

Issue

Section

Articles