The plastic in folk art and contemporary modern art in Guatemala

Authors

  • Carlos René García Escobar Universidad San Carlos de Guatemala

DOI:

https://doi.org/10.5377/koot.v0i4.2251

Keywords:

El plástico, Arte popular, Arte moderno

Abstract

Since the last century, particularly after the Second World War, Central America, as many national territories called III World or as part of the so-called underdeveloped countries, has suffered more acutely than ever the excessive and abusive penetration interests economic and political powers of the self-styled "overdeveloped" in terms of penetration of their markets for industrial products, in the context of the modern technologies auxiliándose usufruct tariff export / import favorable mono- and polipólicas mega-industries at the expense of the poor and weak economies of the Third World peoples.

Downloads

Download data is not yet available.
Abstract
1006
PDF (Español (España)) 2257

Author Biography

Carlos René García Escobar, Universidad San Carlos de Guatemala

Antropólogo y docente, Catedrático emérito por la Universidad San Carlos de Guatemala

Contacto: Escuela de Historia, USAC.

Published

2016-02-08

How to Cite

García Escobar, C. R. (2016). The plastic in folk art and contemporary modern art in Guatemala. Revista De Museología "Kóot&Quot;, (4), 93–102. https://doi.org/10.5377/koot.v0i4.2251

Issue

Section

Articles