MARÍA CANO. I STILL HAVE A VOICE. AN APPROACH FROM THE BODY TO THE LIFE OF A WOMAN WHO EMBODIES COLOMBIAN STRUGGLES, THROUGH AN EXERCISE OF AESTHETIC MEMORY
DOI:
https://doi.org/10.5377/rlpc.v0i0.9505Keywords:
Strategies for peace, aesthetic memory, embodiment reflection, dance, experience transformation, María CanoAbstract
This research work is a proposal for peace and reconciliation through the scenic language of contemporary dance that ties the life of María Cano and the possibility of building an aesthetic memory that recognizes multiple, complex, agency and border subjects. Beings that have been made invisible by the dominant narratives through a policy of concealment and the production of absence.
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