Náhuat-pipil art from typology to possessive

Authors

  • Rafael Lara-Martínez UNAN-Managua

DOI:

https://doi.org/10.5377/hcs.v0i8.5149

Keywords:

nahuat-pipil lenguage, nahuat-pipil art, gramatical category.

Abstract

Analyzing a single Nahuat-PIpil sentence in context, four typological traits are deduced: a headmarking language, a serial language with conjugated verbs in sequence, a lack of plural in (in) animate nouns, marked in adjective or number, and an arithmetic hybrid system, quintesimal (base 5) and vigesimal (base 20). The sphere of possession is added to these four attributes to establish a radical distinction from Spanish grammar. In contrast to a deep Spanish ambiguity —unifying the genitive phrase under a single preposition “de”— Nahuat-Pipil uses at least three different syntactic techniques: apposition, established relation, and inherent relation. The concepts of ownership, relation of part to whole, affiliation to a biological genus, etc. are steadily expressed. As pertinent as poetic, the ART/ARS of a language is defined by its grammatical notions and categories.

 

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Author Biography

Rafael Lara-Martínez, UNAN-Managua

Antropólogo, lingüista y crítico literario salvadoreño. Doctor en lingüística, Premio Nacional de Cultura 2011, distinguido como “Notable antropólogo de El Salvador” por la Asamblea Legislativa de su país. Profesor del Departamento de Humanidades del Instituto Tecnológico de Nuevo México, Estados Unidos. Cuenta con importantes publicaciones, siendo una de sus últimas obras, Balsamera bajo la guerra fría. El Salvador-1932. Historia intelectual (San Salvador, 2009). Es miembro del Consejo académico internacional de la revista Humanismo y Cambio Social.

Published

2017-10-09

How to Cite

Lara-Martínez, R. (2017). Náhuat-pipil art from typology to possessive. Revista Humanismo Y Cambio Social, (8), 93–102. https://doi.org/10.5377/hcs.v0i8.5149