Music, parody and feminism

Authors

  • Otilia Cortez State University of New York, Oswego

DOI:

https://doi.org/10.5377/realidad.v0i109.3454

Keywords:

Carlos Mejía Godoy

Abstract

Popular songs have traditionally expressed many human feelings, among them, those originated by couple liaisons. The case studied in the following essay, a song of the Nicaraguan composer Carlos Mejía Godoy, is an example of how popular songs may yield a critical vision on the relations between women and men.

Realidad: Revista de Ciencias Sociales y Humanidades No. 109, 2006: 473-481

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Published

2017-12-13

How to Cite

Cortez, O. (2017). Music, parody and feminism. Realidad: Revista De Ciencias Sociales Y Humanidades, (109), 473–481. https://doi.org/10.5377/realidad.v0i109.3454

Issue

No. 109 (2006)

Section

Articles

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