Ritual revenge: liberating actions

Authors

DOI:

https://doi.org/10.5377/ru.v1i1.17245

Keywords:

art, ontology, ritual revenge, industrialization, Marcel Duchamp, Adán Vallecillo

Abstract

We have paid a very high price for the economic benefits for the economic benefits that industrialization has left us. By reducing humans to both “flesh extensions” of machines and at the same time “consumption machines”, we have transformed ourselves from subjects to objects. However, since the beginning of the 20th century many artists have exerted a “ritual vengeance” on industrial objects by slaughtering, combining, and thus extracting them from their original function, therefore reducing them to symbolic objects. In this article 2 works of art from different regions and decades will be studied in which this phenomenon can be observed.

Abstract
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PDF (Español (España)) 85

Author Biography

Miguel Angel Ricardo Romero Ochoa, Universidad Nacional Autónoma de Honduras

Visual Artist and Professor of Visual Arts at the UNAH-CU Art Department.

Published

2023-12-12

How to Cite

Romero Ochoa, M. A. R. (2023). Ritual revenge: liberating actions. Revista De La Universidad, 1(1), 60–64. https://doi.org/10.5377/ru.v1i1.17245

Issue

Section

Investigación