The political and physiological decline in Honduras: outlined in the work Brothers against Brothers of Pablo Zelaya Sierra

Abstract

The present reflection proposes to investigate the content of the ontic image created by the national painter Pablo Zelaya Sierra in his plastic work Brothers against Brothers. Be part of that work as a concrete example to demonstrate how the categories of political and physiological decadence proposed by Nietzsche prevail in Honduran society. Well, from reading that painting, can understand how in contemporary Honduran life, the last man that Nietzsche speaks to us is a new avant-garde, in that he designates a physiology of exhaustion. Bliss Reflection is also oriented towards the perspective of the Bicentennial of Independence, since it is key hermeneutics in vogue to understand our historical memory, national identity and, especially, when it is referred to in the form of an ontic image, that is, with a sense of reference to a language of the world. To meditate historically on Pablo Zelaya's work of art is to enjoy the richness of his hermeneutic and aesthetic consciousness in times of so much unrest, decadence, uncertainty and crisis that shakes with torturous tension in the values ​​of a culture in process. nihilistic. Therefore, the intention in this work is to rethink our historical experience full of so much mystification and pragmatism.