Anthropological notes about the “tunidor”: ancestral instrument for treatment of the bark of the tuno

Authors

  • Mario Rizo Zeledón Fundación Científica Ulúa-Matagalpa

DOI:

https://doi.org/10.5377/wani.v0i72.7434

Keywords:

Caribbean Coast, Craftsmanship, Indigenous communities, Mayagnas artisanal instruments, Nicaragua

Abstract

This article has its origin in an ethnographic and archaeological discussion of the tunidor, a work instrument whose origin, description, use, and cultural belonging were analyzed by the prestigious American archaeologist Samuel Lothrop in a 1926 publication. Nevertheless the author of this article disagrees in terms of the conclusions of the North American scientist, including the geographical and cultural belonging of the tuner. He even questions that his description of this artifact found, and from which the archaeologist’s conclusions proceed, corresponds exactly to a tunidor. For that reason, it is based on the ancestral use of this instrument by some indigenous towns of Nicaragua, among them, the Mayangnas who have used it artisanal and ancestrally and to the current day in the treatment of the bark of the tuno tree.

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Published

2019-02-19

How to Cite

Rizo Zeledón, M. (2019). Anthropological notes about the “tunidor”: ancestral instrument for treatment of the bark of the tuno. Wani, (72), 43–46. https://doi.org/10.5377/wani.v0i72.7434

Issue

Section

Articles