Realidad visible e invisible: fosas colectivas del olvido recordadas en la memoria del cuerpo
DOI:
https://doi.org/10.5377/innovare.v7i2.8084Keywords:
Women, Inmigration, Art, Identity, ResistanceAbstract
This manuscript aims to explore the social reality of Honduras, particularly the experiences produced by events that threaten and cause harm to the integrity and the bodies of women. This is done through interpretations backed by narratives through aesthetic languages. We start off the premise considering that the information about women is also also about society as a whole, with social experiences that refer to accumulated violence and acute levels of tension. For inquiry and analysis, we make use of the epistemological guide - theoretical feminism and the resilent and multidisciplinary psychosocial approach based on human and cultural rights and the knowledge acquired along 22 years by the association Mujeres en las Artes Leticia de Oyuela (MUA).
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