Apuntes teórico- metodológicos sobre memoria y patrimonio histórico- cultural en Managua
DOI:
https://doi.org/10.5377/recoso.v4i8.18614Keywords:
State of the art, historical memory, oral history, cultural heritage, local developmentAbstract
This writing presents the state of the art as something
more than a simple technique; an investigation of new
meanings, which transcends the descriptive level of
the data to establish new relations of interpretation
between the categories of the object of study in the
different investigative productions and create new
perspectives of research and training. For this purpose,
a conceptual approach on collective memory, history,
heritage and local development is outlined; and as
a central approach it is proposed that alternative
research articulates three essential elements. In this
sense, it is suggested to advance in the theoretical and
methodological field of the state of the art as a proposal
for a critical look at methodological strategies of the
object of study that promote participation, visibility
and incorporation of memory as a fundamental axis
for the construction of an identity. that contributes to
local development on a micro scale.
The state of the art requires a hermeneutical and critical
analysis of its object of study for the transformation
of its meaning, in a way that allows it to overcome
the technical vision of analysis of the investigated
knowledge, fulfilling a bilateral function both for the
enrichment of history and collective memory critically
analyzing the main theoretical-methodological
notes and in turn validating the idea that it becomes
the backbone of the development of investigative
practices around the construction of contextualized
scientific literature, relevant and according to the local
realities of a country.
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